This is particularly useful when you're working alone, as it doesn't get in the way of the creative process: just press record, sing, go back to the start and repeat until you have enough takes.Ĭlicking on the small arrow to the left of the Take folder reveals each of the recordings, with the comp lane assigned to the track itself at the top. Since Logic Pro packs each new pass of a vocal into the Take folder while automatically muting the last one, it's possible to just run over the vocal several times without having to worry about dropping in and out or dragging regions around onto new tracks. However, using Takes has many advantages over this method. You can, of course, still use the old technique for assembling takes by recording a pass, copying it to a new muted track, and chopping and dragging the best sections to a separate 'comp' track. Many people gave up on Logic Pro's Take and Quick Swipe features when introduced in version 8 after becoming frustrated by the various bugs and limitations, but most of these issues were addressed in version 9. To get around this, it's best to create a send to a bus and add your reverb there. Watch out for latency issues when using a software reverb whilst recording. If you're using an interface with zero‑latency monitoring, assigning this send as a pre‑fader (selected from the Send pull‑down menu) and dragging the recording track's level right down allows you to monitor the vocal itself directly in the hardware monitor chain, but with reverb from your Logic bus. So, it's best to create a send to a bus (which will automatically create an associated aux track) and add your reverb there, where any latency is effectively just adding a bit more pre-delay to the reverb.
#Logic pro x sound packs software
You'll need to have Software Monitoring switched on in the Audio Preferences window, and if you just insert a reverb plug-in onto the recording track, you're likely to encounter latency issues, even if you are working at very low buffer sizes.
You can use one of Logic Pro's reverb plug-ins for this, but there are a couple of things you need to be aware of.
Monitor ReverbĪ lot of singers like to have a little reverb in their monitors when tracking to help them pitch correctly. Logic Pro contains enough of the tools you'll need to craft the perfect vocal. However, in the same way that an attractive person can still enhance their natural appearance with a good haircut and nice clothes, a pristinely captured vocal recording can still benefit from some extra work in Logic Pro: a kind of cosmetic enhancement for the larynx, if you like. If you do a trawl through SOS's extensive on‑line archive, you'll find quite a few articles on vocal recording techniques, microphones and preamplifiers (see 'Voxing Clever': /sos/1997_articles/mar97/vocalrecording.html) and, because of the abundance of low-cost, decent microphones and preamplifiers available, there's no longer any excuse for not being able to capture high‑quality vocal recordings. In the average pop number, it's often the only recognisably human component, and because everyone knows what a voice is supposed to sound like, it's immediately obvious when something is wrong with the recording or mix. The voice is arguably the most important element in modern music production. With recent revisions to the Take feature, Logic Pro 9 now has all the tools you need to craft the perfect vocal track.
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